艾景奖

静于川流，聆语自然 ——保定乾城 · 锦唐

融景设计

     “我一直认为叶子是树的语言：松木善于针砭，相思则一树的梦句，

爱自言自语。那么，我说这古树的薄叶乃哲人语，简且深。

其实，生命到了这种程度，说什么都是多余，所以更多时候，树是无言。

那蝉声在晨光朦胧之中分外轻逸，似远似近，又似有似无。

一段蝉唱之后，自己的心灵也跟着透明澄净起来，

有一种“何处惹尘埃”的了悟，蝉亦是禅。”

  ——简媜《水问》

 The superior good is like water, and the water conservancy is not contested by all things. A door system that is calm but not publicized, trickling but not noisy, and loose but not competitive conveys a quiet vision of the world. The charm of the East is conveyed through a more concise and lighthearted approach, rather than the prosperous red tape of carved beams and painted buildings.

色彩是我们感知情绪的重要元素，因此原本是一条是正儿八经的礼制水中的巷道，仿佛有了不一样的戏剧性，每个人都能有独特的体验，正如陀思妥耶夫斯基在《卡拉马佐夫兄弟》里写道：”这个小城里并没有这种具体的小巷，可是有精神上的小巷。它静秘幽幽，远离大庭广众，那儿总有妙遇奇情。”

“ 让时光像水一般在身上湍急而过，而自己只知身在水中，不觉水流。”

——杨绛

"Let time rush through you like water, but you only know that you are in the water, not aware of the current."——Yang Jiang

树木是大地写在天空上的诗——纪伯伦《沙与沫》

高阳，因古地处高河以北，水北为阳，盖因在高河之阳也。高为崇，阳为日，这表达了当地人们对于山林河川、阳光自然的崇敬之思。化作一处能够聆泉细语，落叶浮水面，微风惹绿叶的别趣庭院，取名【言叶庭】，日出晨间阳光四溢，午后雨露雾气，傍晚黄昏画墙，夜晚水面星空映树，正如顾城所道“我们站在这里，什么都不说，就很美好。”

“我们并没有很优越的物质享受，但是只要有一院子不断开满花的树，和偶尔坐下来闻一闻花香的闲暇生活就会变得非常富足了。”

——席慕蓉

"We don't have very superior material enjoyment, but as long as we have a yard full of trees and occasionally sit down to smell the flowers, our leisure life will become very rich."

                                                                                                                                         —— Xi Murong

山不在高，有仙则灵，水不在深，有龙则灵；也许，我们理想中的生活，并不是没有终点的奔跑，不是无尽的996和PUA，而是寻一方安宁，这与年龄无关；村烟袅袅不与世争，家有院，院有树，树下朵朵花蕊衬在流水之上，蝉打鸟鸣，三五好友小酌甚欢，那不正是中国人骨子里的田园情节么，还有什么比一份安静更珍贵？

● 作庭记 ●

后疫情时代，所有奔跑都放慢了脚步，所谓逐名逐利也在换个角度看待世界，人们开始重新思考生命的意义，山川有了呼吸的间隙，海河有了净化的时间，这个地球上的一草一木都在以与往不同的姿态生长，我们很难再以单一的价值观去过滤世界。一个项目的建成也变得困难了许多，疫情的影响是持久而连锁的，这反而变成了一场充满意外的路途，如何与结果相处也变长了一次有趣的体验，生活永远不缺少美，只是缺少发现的眼睛，同理，作为以“纸上谈兵”见长的设计师，不被单一价值束缚，以多种角度去发觉与发扬生活与美倒是一种新的使命感，正如卢梭在《爱弥儿》里写道：“做有意义的事情，其本身就是对生活的享受。”

In the post epidemic era, all the running has slowed down,  People begin to rethink the meaning of life. There is a breathing gap between mountains and rivers, and there is a time for purification of Haihe River. Every plant and tree on the earth is growing in a different posture in the past. It is difficult for us to filter the world with a single value. The completion of a project has also become more difficult and necessary. The impact of the epidemic is lasting and chain linked. Instead, it has become a journey full of accidents. How to get along with the results has also become an interesting experience. Life never lacks beauty, only the eyes of discovery. Similarly, as a designer who is good at "talking on paper", he should not be bound by a single value and discover and carry forward life and beauty from various anglesIt is a new sense of mission, as Rousseau wrote in Emile: "to do something meaningful is to enjoy life."